The Conjuring: Last Rites Review

The Conjuring: Last Rites Review : A Haunting Farewell to the Warrens’ Universe

The air is heavy with whispers. A storm brews outside, thunder rumbling like a restless spirit. Inside a darkened theatre, we sit—waiting. The curtains draw back, and with them, the Warrens return one last time in The Conjuring: Last Rites, the ninth and possibly final entry in James Wan’s haunted cinematic universe.

Directed by Michael Chaves, this 135-minute supernatural tale promises not just screams, but closure. And as the film unravels, it feels less like a jump-scare carnival and more like the last prayer whispered before dawn.

The Story that Echoes Beyond the Mirror

The film opens in 1961, when young Lorraine Warren (Madison Lawlor), heavily pregnant, stares into an antique mirror. What stares back is no ordinary reflection—it’s a malignant entity, waiting. Her collapse leads to a stillborn birth in a flickering, rain-soaked hospital room. But faith performs its first miracle: her daughter Judy lives.

This child, marked by her mother’s gift of clairvoyance, grows into Mia Tomlinson’s kind yet tormented Judy. When we catch up in 1986, Lorraine (Vera Farmiga) and Ed (Patrick Wilson) are retired, worn down by time and Ed’s failing heart. Judy, however, is still chained to visions that creep from the shadows of her dreams.

In Pennsylvania, another family—the Smurls—move into their new home, unknowingly carrying darkness into their lives when an innocent birthday gift, the cursed mirror, awakens old terrors. Soon, their daughters suffer horrifying manifestations: gory visions, glass-shard vomit, and a malignant presence that cannot be exorcised by priests or silenced by public opinion.

And so, as if pulled by destiny, the Warrens return. One final case. One final battle against an evil that refuses to vanish quietly.

The Horror That Comforts

At first glance, horror and comfort seem to repel each other. Yet, The Conjuring: Last Rites is a strange paradox—it is terrifying, yes, but also oddly reassuring.

With the world outside drenched in very real horrors—wars, chaos, bombings—there is a strange peace in facing a demon we know will eventually be defeated by faith. There is something profoundly comforting about the belief that light, prayer, and love can banish shadows, even ones that drip blood across bedroom floors.

The vintage atmosphere—corded telephones, VHS tapes, oversized spectacles—wraps the film in an old-world blanket, giving the terror a nostalgic sheen. It is horror, yes, but the kind you return to, like a ghost story whispered by the fireplace.

Performances That Haunt

• Vera Farmiga’s Lorraine remains the emotional anchor, her faith and visions pulling us deeper into the abyss.
• Patrick Wilson’s Ed, frail yet steadfast, carries the heart of the story—a man aware that every exorcism might be his last.
• Mia Tomlinson’s Judy is the revelation, inheriting her mother’s gift while navigating her own fears and loves.
• Ben Hardy’s Tony, the grounding figure, adds warmth amidst the chills.

Together, they weave a story not just of horror, but of family, sacrifice, and the eternal battle between faith and fear.

🎬 Movie Highlights – The Conjuring: Last Rites

• Final Chapter: Ninth and possibly last film in The Conjuring Universe.
• Director: Michael Chaves (The Devil Made Me Do It).
• Lead Duo: Vera Farmiga (Lorraine Warren) & Patrick Wilson (Ed Warren) reprise their iconic roles.
• New Generation: Judy Warren (Mia Tomlinson), daughter of the Warrens, inherits her mother’s clairvoyance.
• The Case: Based on the true story of the Smurl haunting in Pennsylvania, tied to a cursed mirror.
• Haunting Premise: A family is tormented by supernatural forces after receiving the sinister mirror as a gift.
• Faith vs. Evil: Central theme revolves around faith, family bonds, and sacrifice.
• Vintage Horror Vibes: Set in the 1960s and 1980s, with nostalgic elements like VHS tapes, retro fashion, and old-school exorcisms.
• Music & Atmosphere: Score by Joseph Bishara, the franchise’s signature composer, amplifies dread.
• Runtime: 135 minutes of supernatural suspense.

The Final Rites

The Conjuring: Last Rites doesn’t reinvent the horror wheel. There are the expected jump scares—mirrors that don’t behave, shadows that crawl, children whispering at night—but it thrives in its storytelling rhythm. It is less about gore, more about the oppressive dread that clings like damp clothes on a stormy night.

And as the film nears its climax, one can’t help but feel the title is apt. This isn’t just another case for the Warrens. It feels like the end of an era—the closing of a book filled with haunted pages.

Verdict

Like a funeral hymn sung softly in candlelight, The Conjuring: Last Rites is both chilling and strangely beautiful. It may not outdo the original Conjuring in raw terror, but it gives fans what they came for: a haunting farewell steeped in faith, family, and the quiet hope that good will always outlast evil.

Rating: 3.5/5 – A Terrifying Yet Comforting Final Chapter